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Judith Murray (born 1941) is an American abstract painter based in New York City. Active since the 1970s, she has produced a wide-ranging, independent body of work while strictly adhering to idiosyncratic, self-imposed constants within her practice. Since 1975, she has limited herself to a primary palette of red, yellow, black and white paints—from which she mixes an infinite range of hues—and a near-square, horizontal format offset by a vertical bar painted along the right edge of the canvas; the bar serves as a visual foil for the rest of the work and acknowledges each painting’s boundary and status as an abstract object. Critic Lilly Wei describes Murray's work as "an extended soliloquy on how sensation, sensibility, and digressions can still be conveyed through paint" and how by embracing the factual world the "abstract artist can construct a supreme and sustaining fiction."
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