Nicholas J. Saunders is a British academic archaeologist and anthropologist. He was educated at the universities of Sheffield (BA Archaeology, 1979), Cambridge (MPhil Social Anthropology, 1981), and Southampton (PhD Archaeology, 1991). He has held teaching and research positions at the National Autonomous University of Mexico, the University of the West Indies, Dumbarton Oaks, Washington D.C., and at University College London, where he was Reader in Material Culture, and undertook a major British Academy sponsored investigation into the material culture anthropology of the First World War (1998–2004). As of 2014 Saunders is Professor in the Department of Archaeology and Anthropology at the University of Bristol, where he is responsible for the MA programmes in historical archaeology and conflict archaeology. He is a prominent contributor to the nascent field of conflict archaeology, and has authored and edited numerous academic publications in the field. In addition to his research specialising in the anthropology of 20th-century conflicts and the archaeology of World War I theatres in Belgium, France and the Middle East, Saunders has also conducted extensive fieldwork and research in pre-Columbian and historical archaeology of the Americas. He has been involved with major museum exhibitions in London, Ypres (Belgium), Tübingen (Germany), and at the Centre Pompidou-Metz (France). Saunders has investigated and published on material cultures and landscapes of Mesoamerica, South America, and the Caribbean. His most recent research has been on the aesthetics of brilliance and colour in indigenous Amerindian symbolism, an extensive survey investigation of the Nazca Lines in Peru, and the anthropological archaeology of twentieth-century conflict (especially the First World War) and its legacies along the Soca (Isonzo) Front on the Slovenian-Italian border.